{"id":686,"date":"2020-02-15T15:16:01","date_gmt":"2020-02-15T15:16:01","guid":{"rendered":"http:\/\/puderfilosofi.se\/?page_id=686"},"modified":"2026-05-06T20:35:40","modified_gmt":"2026-05-06T20:35:40","slug":"omtaliga-konstruktioner-tio-haften","status":"publish","type":"page","link":"https:\/\/puderfilosofi.se\/?page_id=686","title":{"rendered":"Publikationer"},"content":{"rendered":"\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:66% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-Pappersrum-uppslag-1024x768.jpg\" alt=\"\" class=\"wp-image-1532 size-full\" srcset=\"https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-Pappersrum-uppslag-1024x768.jpg 1024w, https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-Pappersrum-uppslag-300x225.jpg 300w, https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-Pappersrum-uppslag-150x113.jpg 150w, https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-Pappersrum-uppslag-768x576.jpg 768w, https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-Pappersrum-uppslag.jpg 1417w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">\u00c5sa Andersson, <em>Pappersrum<\/em>, h\u00e4fte, 48 sidor, B5, 2026<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:66% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"716\" src=\"https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-2026.02.21-Asa_Andersson_017-1-1024x716.jpg\" alt=\"\" class=\"wp-image-1536 size-full\" srcset=\"https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-2026.02.21-Asa_Andersson_017-1-1024x716.jpg 1024w, https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-2026.02.21-Asa_Andersson_017-1-300x210.jpg 300w, https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-2026.02.21-Asa_Andersson_017-1-150x105.jpg 150w, https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-2026.02.21-Asa_Andersson_017-1-768x537.jpg 768w, https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-2026.02.21-Asa_Andersson_017-1-1536x1074.jpg 1536w, https:\/\/media.puderfilosofi.se\/2026\/05\/12-cm-2026.02.21-Asa_Andersson_017-1.jpg 2026w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">\u00c5sa Andersson, <em>Pappersrum<\/em>, h\u00e4fte, 48 sidor, B5, 2026 i specialbyggd hylla i plywood, akvarell<\/p>\n<\/div><\/div>\n\n\n<p><div id=\"attachment_704\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-704\" class=\"wp-image-704 size-large\" src=\"https:\/\/media.puderfilosofi.se\/2020\/02\/978-91-639-8908-7-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/media.puderfilosofi.se\/2020\/02\/978-91-639-8908-7-1024x683.jpg 1024w, https:\/\/media.puderfilosofi.se\/2020\/02\/978-91-639-8908-7-150x100.jpg 150w, https:\/\/media.puderfilosofi.se\/2020\/02\/978-91-639-8908-7-300x200.jpg 300w, https:\/\/media.puderfilosofi.se\/2020\/02\/978-91-639-8908-7-768x512.jpg 768w, https:\/\/media.puderfilosofi.se\/2020\/02\/978-91-639-8908-7.jpg 1417w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><p id=\"caption-attachment-704\" class=\"wp-caption-text\">\u00c5sa Andersson <em>\u00d6mt\u00e5liga konstruktioner, tio h\u00e4ften<\/em><\/p><\/div><br \/>\n<div id=\"attachment_706\" style=\"width: 210px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-706\" class=\"size-medium wp-image-706\" src=\"https:\/\/media.puderfilosofi.se\/2020\/02\/Liten-OK-hel-framsida-rygg-2O3A0014-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/media.puderfilosofi.se\/2020\/02\/Liten-OK-hel-framsida-rygg-2O3A0014-200x300.jpg 200w, https:\/\/media.puderfilosofi.se\/2020\/02\/Liten-OK-hel-framsida-rygg-2O3A0014-100x150.jpg 100w, https:\/\/media.puderfilosofi.se\/2020\/02\/Liten-OK-hel-framsida-rygg-2O3A0014-768x1152.jpg 768w, https:\/\/media.puderfilosofi.se\/2020\/02\/Liten-OK-hel-framsida-rygg-2O3A0014-682x1024.jpg 682w, https:\/\/media.puderfilosofi.se\/2020\/02\/Liten-OK-hel-framsida-rygg-2O3A0014.jpg 787w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><p id=\"caption-attachment-706\" class=\"wp-caption-text\">\u00c5sa Andersson <em>\u00d6mt\u00e5liga konstruktioner, tio h\u00e4ften<\/em> (framsida kassett)<\/p><\/div><br \/>\n<div id=\"attachment_707\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-707\" class=\"size-medium wp-image-707\" src=\"https:\/\/media.puderfilosofi.se\/2020\/02\/OK-hel-liggande-2O3A0025-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/media.puderfilosofi.se\/2020\/02\/OK-hel-liggande-2O3A0025-300x200.jpg 300w, https:\/\/media.puderfilosofi.se\/2020\/02\/OK-hel-liggande-2O3A0025-150x100.jpg 150w, https:\/\/media.puderfilosofi.se\/2020\/02\/OK-hel-liggande-2O3A0025-768x512.jpg 768w, https:\/\/media.puderfilosofi.se\/2020\/02\/OK-hel-liggande-2O3A0025-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-707\" class=\"wp-caption-text\">\u00c5sa Andersson\u00a0<em>\u00d6mt\u00e5liga konstruktioner, tio h\u00e4ften<\/em>\u00a0(detalj)<\/p><\/div><\/p>\n<p>Mini-biblioteket, <em>\u00d6mt\u00e5liga konstruktioner<\/em>, tio h\u00e4ften, av \u00c5sa Andersson inneh\u00e5ller tio h\u00e4ften i en pr\u00e4glad kartongkassett. H\u00e4ftena utg\u00f6r olika poetiska rum med bilder och texter vilka skapar en konceptuell och associativ spelplats.<\/p>\n<p>Titlar p\u00e5 h\u00e4ftena:<br \/><em>K\u00f6rsb\u00e4rsblomssanatoriet, Dawn Chorus, Hiroshima Blossom Keepers, Shakkei &#8211; L\u00e5nade landskap, Utdrag ur Tedagbok, Krigsbarnet &#8211; P\u00e4rlor, Kiosken, Broar, Konceptuell intimitet, Klippdockstr\u00e4det<\/em><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=PZA3aDM5EyQ&amp;list=PLytJtzE6p3_AliyNMDXb0XdMJxp22GXtJ&amp;index=33\">Film som visas exempel p\u00e5 fem h\u00e4ften.<\/a><\/p>\n<p>H\u00e4ftena kan locka l\u00e4sare inom bl.a. bildkonst, artist&#8217;s books, litteratur, existentiell filosofi, estetik, den japanska tev\u00e4rlden &#8211; men f\u00f6rhoppningsvis ocks\u00e5 helt andra personer. Ambitionen \u00e4r att kassetten med sina tio h\u00e4ften \u00e4r n\u00e5got vackert, poetiskt att dras till, med allvar. Och att h\u00e4ftenas inneh\u00e5ll ska v\u00e4cka lust till f\u00f6rnimmelser och varsamhet.<\/p>\n<p>Bilderna \u00e4r dokument\u00e4ra eller iscensatta, ibland dubbelexponerade fotografier, grafik, konstobjekt och teckningar. Texterna blandar ess\u00e4, prosa och kortdikt.<\/p>\n<p><em>\u00d6mt\u00e5liga konstruktioner<\/em>,<em> tio h\u00e4ften<br \/><\/em>Bild och text av \u00c5sa Andersson 2019<br \/>Puderfilosofi<br \/>Upplaga p\u00e5 500<br \/>ISBN 978-91-639-8908-7<br \/>Formgivning: Gabriel Kanulf och Andrejs Ljunggren<br \/>Tryck av G\u00f6teborgstryckeriet<br \/>\u00a9 \u00c5sa Andersson 2019<br \/>Tryckt med st\u00f6d av Stiftelsen L\u00e4ngmanska kulturfonden<\/p>\n<p>\u00d6vrig information:<br \/>Totalt 376 sidor, storlek 113 mm x 178 mm x 30 mm (kassettens djup)<br \/>Inlagorna \u00e4r i f\u00e4rg<br \/>Spr\u00e5ket \u00e4r svenska<\/p>\n<p>Publikationen ges ut inom ramen f\u00f6r Puderfilosofi, vilket b\u00e5de \u00e4r ett namnet p\u00e5 ett f\u00f6retag och ett samlande begrepp f\u00f6r en konstn\u00e4rlig praktik.<\/p>\n<p>Publikationen beviljades litteratur- och distributionsst\u00f6d fr\u00e5n Kulturr\u00e5det, juni 2020.<\/p>\n<p>Kontakt: puderfilosofi (at) gmail.com<\/p>\n<p>Kan k\u00f6pas bl.a. genom <a href=\"https:\/\/konstigbooks.com\/art\/asa-andersson-omtaliga-konstruktioner-10-haften.html\">Konst-ig Konstbokhandel<\/a>, Kalmar Konstmuseum, Malm\u00f6 Konsthall Bokhandel, Rum f\u00f6r papper i G\u00f6teborg, Uppsala Konstmuseum.<\/p>\n<div id=\"attachment_768\" style=\"width: 210px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-768\" class=\"size-medium wp-image-768\" src=\"https:\/\/media.puderfilosofi.se\/2020\/03\/ASA-SAN-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/media.puderfilosofi.se\/2020\/03\/ASA-SAN-200x300.jpg 200w, https:\/\/media.puderfilosofi.se\/2020\/03\/ASA-SAN-100x150.jpg 100w, https:\/\/media.puderfilosofi.se\/2020\/03\/ASA-SAN-768x1152.jpg 768w, https:\/\/media.puderfilosofi.se\/2020\/03\/ASA-SAN-683x1024.jpg 683w, https:\/\/media.puderfilosofi.se\/2020\/03\/ASA-SAN.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><p id=\"caption-attachment-768\" class=\"wp-caption-text\">Japansk kaka serverad under boksl\u00e4pp den 11 mars 2020 p\u00e5 Konst-ig Konstbokhandel. Konditor och fotograf: Yuko \u00c5kerlind Moriyama, hinata.eu<\/p><\/div>\n<p>Short description av <em>\u00d6mt\u00e5liga konstruktioner, tio h\u00e4ften<\/em> (<em>Fragile Constructions, ten booklets<\/em>):<br \/>The titles of the booklets are: K\u00f6rsb\u00e4rsblomssanatoriet, Dawn Chorus, Hiroshima Blossom Keepers, Shakkei &#8211; L\u00e5nade landskap, Utdrag ur Tedagbok, Krigsbarnet &#8211; P\u00e4rlor, Kiosken, Broar, Konceptuell intimitet, Klippdockstr\u00e4det.<br \/>(Approx. translation: The Cherry Blossom Sanatorium, Dawn Chorus, Hiroshima Blossom Keepers, Shakkei \u2013 Borrowed Landscapes, Extract from Tea Diary, The War Child \u2013 Pearls, The Kiosk, Bridges, Conceptual Intimacy, The Cutout Paper Tree).<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=PZA3aDM5EyQ&amp;list=PLytJtzE6p3_AliyNMDXb0XdMJxp22GXtJ&amp;index=33\">A film that shows five of the booklets.<\/a><\/p>\n<p>The booklets can entice readers within visual arts, artist\u2019s books, literature, existential philosophy, aesthetics, the Japanese tea world \u2013 but hopefully also other people. The ambition is that the slipcase with its ten booklets is something beautiful, poetic to be allured to, with seriousness. And that the content of the booklets should awake a desire for perception and tenderness.<\/p>\n<p>The images are documentary or staged, sometimes double-exposed photographs, graphic prints, art objects and drawings. The texts mix essay-writing, prose and short poems.<\/p>\n<h3>\u00a0<\/h3>\n<h1>Molnsinne<\/h1>\n<p>H\u00e4ftet <em>Molnsinne<\/em> inneh\u00e5ller processanteckningar fr\u00e5n det experimentella butiksprojektet p\u00e5 Verkstad konsthall i Norrk\u00f6ping 27 nov-18 dec 2021. <br \/>Bild och text: \u00c5sa Andersson<br \/>Formgivare: Josefin Carlen och Elin Nilsson. <br \/>200 ex\u00a0<br \/>Tryck: TMG Stockholm<br \/>Tryckt med st\u00f6d av Kulturr\u00e5det och Norrk\u00f6pings kommun.<\/p>\n<p><a href=\"https:\/\/media.puderfilosofi.se\/2021\/12\/Molnsinne_pfd_01_webb.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1110\" src=\"https:\/\/media.puderfilosofi.se\/2022\/06\/Molnsinne-omslag-skarmdump-300x298.jpg\" alt=\"\" width=\"400\" height=\"398\" srcset=\"https:\/\/media.puderfilosofi.se\/2022\/06\/Molnsinne-omslag-skarmdump-300x298.jpg 300w, https:\/\/media.puderfilosofi.se\/2022\/06\/Molnsinne-omslag-skarmdump-1024x1019.jpg 1024w, https:\/\/media.puderfilosofi.se\/2022\/06\/Molnsinne-omslag-skarmdump-150x150.jpg 150w, https:\/\/media.puderfilosofi.se\/2022\/06\/Molnsinne-omslag-skarmdump-768x764.jpg 768w, https:\/\/media.puderfilosofi.se\/2022\/06\/Molnsinne-omslag-skarmdump.jpg 1361w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<h3>Andra publikationer<\/h3>\n<p><div id=\"attachment_496\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-496\" class=\"wp-image-496 size-medium\" src=\"https:\/\/media.puderfilosofi.se\/2019\/12\/Liten_blossom-book-2-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/media.puderfilosofi.se\/2019\/12\/Liten_blossom-book-2-300x225.jpg 300w, https:\/\/media.puderfilosofi.se\/2019\/12\/Liten_blossom-book-2-150x113.jpg 150w, https:\/\/media.puderfilosofi.se\/2019\/12\/Liten_blossom-book-2-768x576.jpg 768w, https:\/\/media.puderfilosofi.se\/2019\/12\/Liten_blossom-book-2.jpg 945w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-496\" class=\"wp-caption-text\">\u00c5sa Andersson <em>All the Blossoms in My Flat<\/em><\/p><\/div><br \/>\n<div id=\"attachment_255\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-255\" class=\"wp-image-255\" src=\"https:\/\/media.puderfilosofi.se\/2017\/10\/asa_seafiction_postbox.jpg\" alt=\"\" width=\"300\" height=\"202\" srcset=\"https:\/\/media.puderfilosofi.se\/2017\/10\/asa_seafiction_postbox.jpg 255w, https:\/\/media.puderfilosofi.se\/2017\/10\/asa_seafiction_postbox-150x101.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-255\" class=\"wp-caption-text\">\u00c5sa Andersson, <em>Sea-Fiction<\/em>, diabildsserie, 2003<\/p><\/div><br \/>\n<div id=\"attachment_613\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-613\" class=\"wp-image-613 size-medium\" src=\"https:\/\/media.puderfilosofi.se\/2019\/12\/sea-fiction-litet-vykort-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/media.puderfilosofi.se\/2019\/12\/sea-fiction-litet-vykort-300x225.jpg 300w, https:\/\/media.puderfilosofi.se\/2019\/12\/sea-fiction-litet-vykort-150x113.jpg 150w, https:\/\/media.puderfilosofi.se\/2019\/12\/sea-fiction-litet-vykort.jpg 614w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-613\" class=\"wp-caption-text\">\u00c5sa Andersson <em>Sea Fiction<\/em>, artist&#8217;s book 2003<\/p><\/div><\/p>\n<div id=\"id1\" class=\"style_SkipStroke\">\n<div class=\"text-content graphic_textbox_layout_style_default_External_622_63\">\n<div class=\"graphic_textbox_layout_style_default\">\n<ul>\n<li><strong>Observations of Lightness<\/strong>\u00a0i tidskriften <a href=\"https:\/\/brill.com\/view\/journals\/cad\/7\/1\/article-p105_7.xml?lang=en\">Culture and Dialogue<\/a>, maj 2019<\/li>\n<li>Kapitel: <a style=\"font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" href=\"https:\/\/www.amazon.co.uk\/Architecture-Space-Flows-Andrew-Ballantyne\/dp\/0415585422\/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1356948270&amp;sr=1-1\"><strong>Interpretive Flow: A 1930&#8217;s Trans-cultural Architectural Nexus i boken Architecture in the Space of Flows (Routledge 2011)<\/strong><\/a><\/li>\n<\/ul>\n<p><span class=\"style_3\" style=\"font-size: 1rem;\">Synopsis:\u00a0<\/span><span class=\"style_2\" style=\"font-size: 1rem;\">\u201cThe chapter, Interpretive Flow: A 1930&#8217;s Trans-cultural Architectural Nexus by \u00c5sa Andersson, sets up a speculative and imaginative dialogue between a Swedish functionalist summer cottage (designed by the Architect Georg Scherman in 1934-36) and aspects of Japanese traditional and modernist aesthetics pertaining to architecture and the tea ceremony. It also draws on fairytale hut constructions, literature, philosophy, artworks and contemporary architecture. The aim is to highlight manifestations of &#8217;borrowed landscapes&#8217; [shakkei] and manifold representations of the open-air-room [friluftsrum]. I am arguing that the summer cottage provides a kind of teaching, and also testing, of our need for these fragile and transient spaces.\u201d<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"id4\" class=\"style_SkipStroke\">\n<div class=\"text-content graphic_textbox_layout_style_default_External_592_39\">\n<ul>\n<li class=\"graphic_textbox_layout_style_default\">Bild och text: <strong>Hiroshima Blossom Keepers<\/strong> i boken <strong><a href=\"https:\/\/www.amazon.co.uk\/Telling-Stories-Practices-Theories-Narrative\/dp\/1443805327\">Telling Stories<br \/><\/a><\/strong><\/li>\n<li class=\"graphic_textbox_layout_style_default\">L\u00e4rarmaterial: <strong><a href=\"https:\/\/www.amazon.co.uk\/Talking-Pictures-Thinking-Through-Photographs\/dp\/1904806007\">Ta(l)king Pictures, Thinking Through Photographs<\/a><\/strong><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div id=\"id5\" class=\"style_SkipStroke\">\n<div class=\"text-content graphic_textbox_layout_style_default_External_624_39\">\n<ul>\n<li class=\"graphic_textbox_layout_style_default\">Fotografier i serien <strong>Writing Water in its Absence<\/strong> och text i boken <strong><a href=\"https:\/\/www.amazon.co.uk\/Shifting-Horizons-Landscape-Photography-Ellipsis\/dp\/1860646352\/ref=sr_1_2?s=books&amp;ie=UTF8&amp;qid=1356950043&amp;sr=1-2\">Shifting Horizons<\/a><\/strong><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div id=\"id6\" class=\"style_SkipStroke\">\n<div class=\"text-content graphic_textbox_layout_style_default_External_627_40\">\n<ul>\n<li class=\"graphic_textbox_layout_style_default\">Bild och kollage i boken <strong><a href=\"https:\/\/www.amazon.co.uk\/Here-are-Instructions-Redell-Olsen\/dp\/1902596285\/ref=sr_1_1?ie=UTF8&amp;qid=1358110750&amp;sr=8-1\">Here are My Instructions<\/a><\/strong> av Redell Olsen och Susan Johanknecht<\/li>\n<\/ul>\n<div><a href=\"https:\/\/www.printedmatter.org\/catalog\/18943\">https:\/\/www.printedmatter.org\/catalog\/18943<\/a>\/<\/div>\n<div>\u00a0<\/div>\n<ul>\n<li>Bild och text: <strong>Echoes of Evocations: Sites in Transformation<\/strong>, i <a href=\"https:\/\/www.ingentaconnect.com\/content\/routledg\/jvap\/2005\/00000004\/f0020002\"><strong>Journal of Visual Art Practice<\/strong><\/a><\/li>\n<\/ul>\n<\/div>\n<div>\n<ul>\n<li class=\"paragraph_style_6\">Avhandling &#8211; Staffordshire University, UK, 1999<\/li>\n<\/ul>\n<p class=\"paragraph_style_6\"><span class=\"style_1\"> \u00c5sa Andersson &#8211;<em> Intimations of Intimacy; Phenomenological Encounters Between Contemporary Art and Philosophy<\/em><br \/><\/span><\/p>\n<p class=\"paragraph_style_1\"><span class=\"style_1\">&#8221;The thesis engages with the interdisciplinary relationship between the fields of Fine Art and Philosophy. The argument is based around how intimations of intimacy give themselves differently than through the use of instrumental languages and traditional visual representations of the intimate as equated with sexuality, the private and the domestic.<br \/><\/span><\/p>\n<p class=\"paragraph_style_1\"><span class=\"style_1\">By mainly drawing on the later writings of Gaston Bachelard, Martin Heidegger and Emmanuel Levinas, I am investigating the &#8217;world-building&#8217; capacities of intimacy and its inherent vulnerability. By the introduction of the German term Innigkeit which evokes a wider understanding of the term intimacy, there is a discussion of the invisible and unpredictable qualities of alterity which are experienced in the sensible and intimate encounter. Because instrumental language fails to render these ephemeral and intimating aspects there is, through different phenomenological analyses of intimacy, an exploration of an adequate language for discussing it. Through exploring how intimacy is a lived quality there is a suggestion of the need for a poetic and imaginative relationship to the world and to a language out of which intimacy might occur. Due to the delicacy of this event the ethical implications of approach and comportment are also addressed.<br \/><\/span><\/p>\n<p class=\"paragraph_style_1\"><span class=\"style_1\">The encounters with intimacy are investigated through an exploration of different in-between spaces. Through setting up three &#8217;phenomenological laboratories&#8217; I discuss experiential accounts of the immersement in glasshouses and secret gardens, spaces between skin and clothing, as well as the relation between powder and skin. Through also discussing the encounters with some carefully selected contemporary art works, my own and others, I explore how intimacy emerges in the sensorial relationship between viewer and work. I focus in particular on installations and site-related art through which I draw out a discussion of how intimacy can be compared to an elemental medium by which we are affected.<br \/><\/span><\/p>\n<p class=\"paragraph_style_1\"><span class=\"style_1\">From my interdisciplinary position I trace diverse forms of expressions of intimacy by responding to these different &#8217;sites&#8217; of enquiry. This approach leads into a reconsideration of intimacy and how it can be understood in a manner which is more enriching than the everyday understanding of the term.&#8221;<\/span><\/p>\n<\/div>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c5sa Andersson, Pappersrum, h\u00e4fte, 48 sidor, B5, 2026 \u00c5sa Andersson, Pappersrum, h\u00e4fte, 48 sidor, B5, 2026 i specialbyggd hylla i plywood, akvarell Mini-biblioteket, \u00d6mt\u00e5liga konstruktioner, tio h\u00e4ften, av \u00c5sa Andersson inneh\u00e5ller tio h\u00e4ften i en pr\u00e4glad kartongkassett. H\u00e4ftena utg\u00f6r olika poetiska rum med bilder och texter vilka skapar en konceptuell och associativ spelplats. Titlar p\u00e5&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-686","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/puderfilosofi.se\/index.php?rest_route=\/wp\/v2\/pages\/686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/puderfilosofi.se\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/puderfilosofi.se\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/puderfilosofi.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/puderfilosofi.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=686"}],"version-history":[{"count":57,"href":"https:\/\/puderfilosofi.se\/index.php?rest_route=\/wp\/v2\/pages\/686\/revisions"}],"predecessor-version":[{"id":1538,"href":"https:\/\/puderfilosofi.se\/index.php?rest_route=\/wp\/v2\/pages\/686\/revisions\/1538"}],"wp:attachment":[{"href":"https:\/\/puderfilosofi.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}